This summer visitors can enjoy the following exhibitions: Aurèlia Muñoz. Beings (until 7 September); History Doesn’t Repeat Itself, but it Does Rhyme; Dumile Feni: African Guernica (until 22 September); Milk, Snow, Tear, Hand. Blanca Sánchez’s Art of Making and Being (until 9 October); and Felix Gonzalez-Torres. Sweet Revenge (until 12 October) in the Museo’s main site. Furthermore, in the galleries in the Retiro Park, the show Fernando Sánchez Castillo. The Wayward Pearl (until 8 March 2027) and the installation Andrea Canepa. Bundle are on view in the Palacio de Velázquez and Palacio de Cristal, respectively.
The summer film series returns once again in the Museo’s recently renovated Garden, focusing this year on the existential, symbolic imagery of the swimming pool. Entitled The Swimming Pool: Swim or Sink, the programme seeks to explore the existential ambiguity that has characterised pools across the history of film in their diverse manifestations. The films within the series are free to access and are screened on Fridays and Saturdays throughout July and August.
Artist Eva Lootz (Vienna, 1940) discusses her work in this video, which documents the exhibition Eva Lootz. Making as if Wondering: So What Is This?, held in the Museo Reina Sofía in 2024. A possible journey through some of the key questions sparked in and by her work, and which underscore a certain way of understanding artistic practice: taking one’s work as a gesture capable of questioning the world from scratch.
History Doesn’t Repeat Itself, but It Does Rhyme is a new programme at the Museo Reina Sofía that aims to establish a dialogue between Pablo Picasso’s Guernica (1937) and other significant works of art that share certain parallels in their modes of representation or thematic concerns, yet originate from different historical and cultural contexts. In this first instalment of the series, curated by Tamar Garb, Picasso’s iconic work can be seen for the first time alongside African Guernica (1967) by Dumile Feni (Worcester, South Africa, 1942 – New York, 1991), one of the key artists of African modernism.
Ana Locking on Doubles / Pairs / Couples, by Louise Lawler
In this interview, designer Ana Locking discusses the photographic series Doubles / Pairs / Couples (1982–1985) by artist Louise Lawler (Bronxville, New York, 1947), whom she discovered at a Pictures Generation exhibition that transformed her understanding of art.